Hi, it’s
Lauren again from Education Wise and in this last installment we will be talking about
the Legal, Ethical and Regulatory issues that this film (Tyrannosaur) will
have to overcome in order to be released.
A) The
products impact and effect on the audience:
An
audience is either shown as a passive or active audience.
A passive
audience is defined as a school of thought Hypodermic syringe (Theodore Adorno,
1930's) The media has a negative impact on the on the audience (they copy
everything they see).
In my
film this is true because of the violence that is very prominent in the
film and this issue could affect the audience and this is a negative impact on the audience. This is true even though the
audience is a small (niche audience).
Another
reason why a passive audience may be negatively impacted by the content of my film is that it may increase the likeliness of domestic
violence. This is because it is a strong theme in the film and this may in turn
because the audience to feel that is ok for them to partake in this action.
An active
audience is an audience that does not copy everything that they see in media
and question the things they see (Gauntlett). An active audience adapts the
media to suit their own needs.
An
example of a positive impact on the audience is the fact that the female
protagonist overcomes the abuse dealt to her by her partner during their
relationship. This is because it can be used to show that others who are
suffering from domestic violence can overcome it and that they (whether male or
female) do not have to deal with it.
Another
example of a positive impact on the audience is the male protagonist and the
way the audience can understand the reason for his violence, which are put down
to him being a male (with alpha male tendencies) and living in a rough, lower
class area. Another reason for this is because of the way this character is
able to become soft and comforting to the female protagonist. This would create
a feeling of understanding for his actions and be sympathetic toward him for
having to act a certain way in front of other males just to fit in with them.
B)
Relevant issues of representation:
Representation in the film Tyrannosaur links with the audience because it would be mainly viewed by females. This is because the main actress Olivia Coleman is well known and plays the part of the female protagonist empowerment from assault well. This affects the audience because it causes the female audience (some of whom may have been assaulted in the past) to feel empowered and to show them that they do not have to conform to the female stereotype.
Stuart
Hall (1980) stated that all representation is media (constructed on purpose).
In my film there are stereotypes woven throughout. This is because the female
protagonist is shown as submissive, which in the respect of fighting back
against her abusive partner, she is.
This is also true because the stereotype
that males are violent. This is supported because in the film, the males are
all showing violent tendencies. An example of this is when the male protagonist
is arguing with another unnamed male character with a dog. This is like they
are trying to intimidate each other.
Another stereotype that can be seen in this film is about class and how the lower class population are more 'rough' (violent) and that they are 'money grabbing scroungers who need to get a job'. This is shown by not only the prevalence of the violence but also in the setting (that is in a lower class, council run estate). To counter this stereotype we also se the main antagonist (who looks to from a higher class than the male protagonist) also using violence, which shows that all classes of people use violence it is just associated with lower class people because it is seen more often.
In my film stereotypes are also challenged
throughout the film. This is true because after the male protagonist finds the female protagonist he seems to become more emotionally open towards her. He also seems to be more nurturing. This challenges the view that men are more often than not emotionally unavailable when it comes to caring for another person (especially when they are female) when in emotional turmoil.
This is also true with the female protagonist because even though her partner
abuses her, she stays cheery (even if it is just on the outside) and carries on with life. This challenges the stereotype of an abused female because commonly they are seen as weak and unable to carry on normally. This shows great strength for the character and circumstances she has to live through and not become bitter.
Another
theorist this film supports is Perkins (1979) not all stereotypes are false.
This is
because often, stereotypes are correct to a certain extent, but exaggerated.
This is
especially true for the male antagonist. This is because of the domestic
violence against the female protagonist and he uses this abuse to control her
actions. This links in with the theorists Earp and Katz (1999) Equation of
masculinity with pathological control of violence.
C)
Relevant legal and ethical issues:
The first example of legal issues this film has to overcome is copyright of
products/soundtracks:
When
making a film one thing the film company would look out for is anything that
may cause copyright infringement. This is because if they break a copyright law
they (the film company) could either taken to court and sued or the person
responsible may be taken into prison. To avoid this, the company would have to
contact the copyright holder and seek to gain permission to use the idea
through a fee or royalties.
When it
came to the film Tyrannosaur, Warp Films did not need to gain
copyright for the soundtracks seen in the film trailer. This is because the
songs were produced by their parent company Warp Records. Because of this it
shows cross promotion (to find out more about cross promotion see the first
video).
The lack of brands in the film may be because the film company (Warp Films) may have not have had the sufficient funds to pay for copyright access to show the brand logos.
D)
Role of relevant regulatory bodies (BBFC and ASA)
The BBFC
(British Board of Film Classification) is a regulatory body that sets
guidelines that a film has to comply with in order to be suitable for an
audience of a certain age range. An example of this is that our film
(Tyrannosaur) was made to comply with the BBFC rating 18.
The film
Tyrannosaur is produces for an audience aged 18 and above. This is because the
film has Violence throughout the film, strong language and mentions of abuse
and scenes of sexual violence. This complies with the BBFC 18 rating because a
film that is rated as 15 cannot contain strong blood and gore (which my film
shows at points) and very strong violence (which is also shown in abundance in
this film.)
The age
range of this film has not been changed since its production. This may be
because they had a good grasp of who their target audience was and built their
film up accordingly, based on their lifestyle and income (as mentioned in a
previous video.) Another reason the age rating of this film has not changed is because of the explicit violence and language. This is only appropriate for people at the age of 18 because they are able to understand the films theme and mentally deal with it. If a younger person were to view the film they may be influenced as they may be more of a passive audience.
In the US, the age range for the film is the same as in the UK (18). This may be
because the film is produced by an independent company, because of this the
film was not marketed for that audience and it adheres to the US film rating for 18 and they are out of their
target (niche) audience.
The ASA (Advertising Standard
Authority) is a company which regulates the advertisements in what is/ is not
acceptable to be viewed on a larger audience. This is legally binding and is often followed closely as a code of conduct when it comes to distributing
advertisements for a product (in this case a film).
The CAP codes are a set of rules that regulated the print material for the film Tyrannosaur are:
Misleading advertising and advertising rules for on-demand services regulated by statute.
The film poster used to advertise
the film adhered to the regulations of misleading advertisement because it
does not make out the film to be a happy, idealistic film when in actual fact
it is dark, grungy and realistic in the way the characters react to the
negative environment they live in (thus not misleading the as of the tone of
the film). Another way the film poster adheres to this is because the reviews that relate to the film and are all genuine (if they were not they
wouldn't be allowed to be printed on the promotional poster.).
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg0BmjVk-LMzIFS4pJrSJXT6l1PgxPYOqoJj1JYSW_zqb5_aqLuOyW2U6KKciJCyf95i8P12ZEr7XqMMb2dXnfdQy9A7pxlMl5cq6mPq1-hS9m51MjbPV6MdVXaTO8TwAtYhjvvWnYB7k/s400/Tyrannosaur+promtional+poster.jpg)
The film poster adhered to the regulations to the CAP codes Misleading advertising
and Advertising
rules for on-demand services regulated by statute. This is because the film
poster does not degrade anyone no matter the gender, age, race or religion and
it is recognizably an advertisement for a film. This CAP links in with the
previous.
Based on the poster, I know that this piece follows the above mentioned CAP codes. This is because the colour scheme of this poster is black and white. This connotes the battle between dark and light (good and bad) within a person/ character.
The font on the poster also complies with the CAP codes because it is easy to read and the quotations from reviewers are not false. This denotes that the film is successful and is worth watching.
This promotional poster would be seen outside an
independent cinema. This would have been seen to attract attention and help to
promote the film.
Thank you
all for staying with us through this mini- series on the film Tyrannosaur and
hope it helps everyone with their media exam. Goodbye.